In live performance when I sing I’m usually playing some sort of “instrument” at the same time. Whether it’s a toy piano, a pair of soup spoons, tuned glass bottles, simply pushing one side of a sruti box, or swinging an elastic band drone through the air – I like to be busy while vocalizing, and the interplay between singing and playing can be very engaging.
But in a recording studio, when the final vocal line is performed alone it’s curiously freeing. During this last recording session I found that when I concentrated solely on my voice, without playing additional instruments, I could really sink into the telling of the story – seeing the images as I sang the song. I wanted to keep the voice natural and honest, and close, like a good storyteller. The engineer chose a vintage (1950s) AKG C12 microphone. We wanted to achieve subtleties of expression and a clear and intimate sound with great presence, underplaying the intense emotion of the song.
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