fascinated by the sound of the musical saw when I first ran into Tom Scribner in 1972 on the streets of Santa Cruz. Suggested we make a trade, I will make a photo portrait of him and he will give me some saw lessons. He used my portrait of him for his new poster and he showed me how to play the saw vaudevillian style. Remember it as if it was yesterday.

from 1972 – Santa Cruz, California

bottle-embouchure-MindenDuo-webcopy

how to make that beautiful sound on a bottle

The Minden Duo uses glass bottles for many of their compositions, all sizes and shapes of bottles can be used each producing a unique timbre.  Carla plays most of the bass jugs because of her training as a horn player:
“I find the best one gallon cider jugs in Canada are supplied by “Triple Jim’s”. The cider is a bit on the sweet side, but the bottle itself has the best taper in the neck, and the opening at the top is not too wide. This makes for a better, more focused tone. I find some cider jugs have an excessively wide mouth and neck making them very difficult to create a clean sound and requiring huge amounts of air, only to produce an overly diffused tone. Exceptional lung power is already a basic requirement to play even the most optimum one gallon jug if you want to have even the slightest amount of sustain. And I don’t mean that one needs to emulate the sustain of a piano. We want a bottle to sound like a bottle. But do take care not to make life overly difficult by playing an inferior jug.”

When Carla was young her visits to her grandmother introduced her to sounds she wasn’t familiar with; like her grandmother’s telephone. Fancy and ornate it seemed like a treasure. This old phone now sits in our studio and sometimes the sound of its dial, the mechanical wind-up and reedy release might inspire a musical idea. We included this sound in “Waltz” the last track in What Is Your Name